The Second Digital Turn
by Mario Carpo
- ISBN
- 9780262534024
The Second Digital Turn es un architecture, technological aspects, architecture, data processing book de Mario Carpo.
Sobre este libro
In the early 1990s the design professions were the first to intuit and interpret the new logic of digital design and fabrication. Digital mass-customization (the use of digital tools to mass-produce variations at no extra cost) has already changed the way we produce and consume almost everything. In this book, Mario Carpo suggests that the same technical logic, now applied to all kinds of immaterial objects and to commerce at large, is heralding a new society without scale, where bigger markets will not make anything cheaper. he early tools for digital design and production spawned a style of smooth and curving lines and surfaces that gave visible form to the first digital age, and marked architectural design for the last twenty years. But today's digitally intelligent architecture no longer looks that way. Carpo explains that this is because the design professions are now coming to terms with a new generation of digital tools they have adopted -- no longer tools for making but tools for thinking. Today's computation is so powerful and cheap that many data-compression technologies that humanity has carefully developed, nurtured, and honed over time may soon be abandoned.
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Preguntas Frecuentes
¿De qué género es The Second Digital Turn?+
The Second Digital Turn es un libro de Architecture, technological aspects, Architecture, data processing, Architecture and technology, Architecture, Information technology.
¿De qué trata The Second Digital Turn?+
In the early 1990s the design professions were the first to intuit and interpret the new logic of digital design and fabrication. Digital mass-customization (the use of digital tools to mass-produce variations at no extra cost) has already changed the way we produce and consume almost everything. In...
¿Quién escribió The Second Digital Turn?+
The Second Digital Turn fue escrito por Mario Carpo.