Corpus Linguistics and 17th-Century Prostitution
- ISBN
- 9781350075283
Corpus Linguistics and 17th-Century Prostitution est un language teaching theory & methods, linguistics book de Anthony McEnery.
À propos de ce livre
Corpus linguistics has much to offer history, being as both disciplines engage so heavily in analysis of large amounts of textual material. This book demonstrates the opportunities for exploring corpus linguistics as a method in historiography and the humanities and social sciences more generally. Focusing on the topic of prostitution in 17th-century England, it shows how corpus methods can assist in social research, and can be used to deepen our understanding and comprehension. McEnery and Baker draw principally on two sources ? the newsbook Mercurius Fumigosis and the Early English Books Online Corpus. This scholarship on prostitution and the sex trade offers insight into the social position of women in history.
À propos de l'auteur
Anthony McEnery est l'auteur de Corpus Linguistics and 17th-Century Prostitution. Parcourez son catalogue complet sur Booklogr.
Éditions et Formats
Critiques
Pas encore de critiques. Avez-vous lu ce livre ? Partagez vos impressions avec la communauté Booklogr.
Se connecter Connectez-vous pour écrire une critique
Questions Fréquentes
Quel est le genre de Corpus Linguistics and 17th-Century Prostitution ?+
Corpus Linguistics and 17th-Century Prostitution est un livre de Language teaching theory & methods, Linguistics, Prostitution, great britain, History, research, History, methodology.
De quoi parle Corpus Linguistics and 17th-Century Prostitution ?+
Corpus linguistics has much to offer history, being as both disciplines engage so heavily in analysis of large amounts of textual material. This book demonstrates the opportunities for exploring corpus linguistics as a method in historiography and the humanities and social sciences more generally. ...
Qui a écrit Corpus Linguistics and 17th-Century Prostitution ?+
Corpus Linguistics and 17th-Century Prostitution a été écrit par Anthony McEnery.