Skip to main content

Representing Mass Violence

0.0
Browse all genres
ISBN
9780520963085

Representing Mass Violence est un criminology: legal aspects, sociology book de Joachim J. Savelsberg.

À propos de ce livre

"How do UN Security Council and International Criminal Court interventions, both part of the Justice Cascade, color representations of mass violence? What images of suffering and of responsible actors arise instead from the humanitarianism and diplomacy fields? How are these competing perspectives communicated to the public via mass media? Zooming in on the case of Darfur, Joachim J. Savelsberg analyzes over three thousand news reports and opinion pieces and interviews leading newspaper correspondents, NGO experts, and foreign ministry officials from eight countries to show the dramatic differences in the framing of mass violence around the world and across social fields. Representing Mass Violence contributes to our understanding of how the world acknowledges and responds to violence in the Global South"--Provided by publisher.

À propos de l'auteur

Joachim J. Savelsberg est l'auteur de Representing Mass Violence. Parcourez son catalogue complet sur Booklogr.

Éditions et Formats

Critiques

Pas encore de critiques. Avez-vous lu ce livre ? Partagez vos impressions avec la communauté Booklogr.

Se connecter Connectez-vous pour écrire une critique

Questions Fréquentes

Quel est le genre de Representing Mass Violence ?+

Representing Mass Violence est un livre de Criminology: legal aspects, Sociology, Regional & national history, 20th Century History: C 1900 To C 2000, Violence.

De quoi parle Representing Mass Violence ?+

"How do UN Security Council and International Criminal Court interventions, both part of the Justice Cascade, color representations of mass violence? What images of suffering and of responsible actors arise instead from the humanitarianism and diplomacy fields? How are these competing perspectives c...

Qui a écrit Representing Mass Violence ?+

Representing Mass Violence a été écrit par Joachim J. Savelsberg.