James Baldwin's God

"James Baldwin's relationship with black Christianity, and especially his rejection of it, exposes the anatomy of a religious heritage that has not been wrestled with sufficiently in black theological and religious studies. In James Baldwin's God: Sex, Hope, and Crisis in Black Holiness Culture, Clarence Hardy demonstrates that Baldwin is important not only for the ways he is connected to black religious culture, but also for the ways he chooses to disconnect himself from it. Despite Baldwin's view that black religious expression harbors a sensibility that is often vengeful and that its actual content is composed of illusory promises and empty theatrics, he remains captive to its energies, rhythms, languages, and themes. Baldwin is forced, on occasion, to acknowledge that the religious fervor he saw as an adolescent was not simply an expression of repressed sexual tension but also a sign of the irrepressible vigor and dignified humanity of black life." "In one of his later extended essays, James Baldwin remembered how his stepfather, David Baldwin, a one-time Baptist minister, died because of his "unreciprocated love for the Great God Almighty," James Baldwin's God engages most directly those aspects of Baldwin's work that address the substance and character of this unrequited love for a Christian God that is depicted as both silent before black suffering and as white - i.e., actively opposed to the flourishing of black life. Despite his consistent portrayal of a black holiness culture full of energy and passion, Baldwin implicitly condemns the fact that the principal backdrop to black people's conversion to Christianity in the United States is shame and not hope. Hardy's reading of Baldwin's texts, with its goal of understanding Baldwin's attitude toward a religion that revolves around an uncaring God in the face of black suffering, provides provocative reading for scholars of religion, literature, and history."--Jacket.