Love Songs of Carbon (The Yellow Earl: Almost an Emporer, Not Quite a Gentleman)
by Philip Gross
- Published
- 2015
- Pages
- 79
- Language
- EN
- ISBN
- 9781780372587
- Reading Time
- ~1h 23min
Love Songs of Carbon (The Yellow Earl: Almost an Emporer, Not Quite a Gentleman) is a human body book by Philip Gross. In 2015. It has 79 pages.
About this book
Love Songs of Carbon is Philip Gross's 18th book of poetry, and is a coming of age - inhabiting the ageing body with a confident, inventive curiosity. At the same time searching, tender, intellectually agile, unexpected and erotic, this is poetry at home with great shifts of perspective, from the outer edge of science to the sensations at our fingertips. These are love poems, both to the person and to the body itself, even as - especially as - it faces entropy and decay.
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Frequently Asked Questions
How many pages is Love Songs of Carbon (The Yellow Earl: Almost an Emporer, Not Quite a Gentleman)?+
Love Songs of Carbon (The Yellow Earl: Almost an Emporer, Not Quite a Gentleman) has 79 pages.
When was Love Songs of Carbon (The Yellow Earl: Almost an Emporer, Not Quite a Gentleman) published?+
Love Songs of Carbon (The Yellow Earl: Almost an Emporer, Not Quite a Gentleman) was published in 2015.
What genre is Love Songs of Carbon (The Yellow Earl: Almost an Emporer, Not Quite a Gentleman)?+
Love Songs of Carbon (The Yellow Earl: Almost an Emporer, Not Quite a Gentleman) is a Human body book.
What is Love Songs of Carbon (The Yellow Earl: Almost an Emporer, Not Quite a Gentleman) about?+
Love Songs of Carbon is Philip Gross's 18th book of poetry, and is a coming of age - inhabiting the ageing body with a confident, inventive curiosity. At the same time searching, tender, intellectually agile, unexpected and erotic, this is poetry at home with great shifts of perspective, from the ou...
Who wrote Love Songs of Carbon (The Yellow Earl: Almost an Emporer, Not Quite a Gentleman)?+
Love Songs of Carbon (The Yellow Earl: Almost an Emporer, Not Quite a Gentleman) was written by Philip Gross.